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  <url>
    <loc>https://www.avivarahmani.com/blog</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-25</lastmod>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/art-can-see-the-future-fk7pe-md9hg-csp2p</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/84b54909-40f3-467a-97ee-ab8a9705acbe/%E2%80%9CThe+Pocketbook+Piece%2C%E2%80%9D+by+Aviva+Rahmani+1969.jpg</image:loc>
      <image:title>Blog - Chaos - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“The Pocketbook Piece,” by Aviva Rahmani with Aviva Rahmani, Claudia Bader and Barbara Zakarian 1969 Photograph by Fred Lonidier Claus Von Wendel Studio, Del Mar, California</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/art-can-see-the-future-fk7pe-md9hg-bc2gc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-25</lastmod>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/art-can-see-the-future-fk7pe-md9hg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/4b029c9b-2f31-485a-be90-075526337023/%E2%80%9CA+few+minutes+after+dawn+2-4-26%E2%80%9D+Aviva+Rahmani.jpg</image:loc>
      <image:title>Blog - Promise Her Anything - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“A few minutes after dawn 2-4-26” Aviva Rahmani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/art-can-see-the-future-fk7pe</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/8c767101-4989-4d10-ba3d-6adcb3aacaad/%E2%80%9CBed+of+Nets%2C%E2%80%9D+Aviva+Rahmani%2C+iron+bed+and+drift+nets+1991.jpg</image:loc>
      <image:title>Blog - Trigger Points vs Tipping Points - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“Bed of Nets,” Aviva Rahmani, iron bed and drift nets 1991</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/art-can-see-the-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/92c9458d-9e09-4979-a677-78b5c335430b/Still+from+%E2%80%9CTrigger+Points+-Tipping+Points%2C%E2%80%9D+Aviva+Rahmani+with+Jim+White+2007.jpg</image:loc>
      <image:title>Blog - Art Can See the Future - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>Still from “Trigger Points/ Tipping Points,” Aviva Rahmani with Jim White 2007</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/opening-doors</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/afd678a3-ddff-42e2-8a64-e21ec099f3d8/%E2%80%9CChildren%E2%80%99s+Mural%2C%E2%80%9D+composite+documentation+1985+Acrylic+on+interior+wall+original+approximately+96%E2%80%9D+x+360%E2%80%9D.jpg</image:loc>
      <image:title>Blog - Opening Doors - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“Children’s Mural,” composite documentation 1985 Acrylic on interior wall original approximately 96” x 360”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/perception</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/a61413f1-2ea4-4fb4-bd48-0aaaff84531b/%E2%80%9CMask%2C%E2%80%9D+clay+and+wool+1955+5%E2%80%9Dx4%E2%80%9D+Aviva+Rahmani.jpg</image:loc>
      <image:title>Blog - Perception - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“Mask,” clay and wool 1955 5”x4” Aviva Rahmani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/reconnecting-disconnected-dots</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/8263b92d-649b-4892-a591-858b6bbe4dba/%E2%80%9CSorrow%2C%E2%80%9D+Color+xerox+detail+from+lithograph+30%E2%80%9Dx24%E2%80%9D+1974.+1966.+Aviva+Rahmani.jpg</image:loc>
      <image:title>Blog - Reconnecting Disconnected Dots - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“Sorrow,” Color xerox detail from lithograph 30”x24” 1974. 1966. Aviva Rahmani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/https/avivarahmanisubstackcom/p/safety</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/3af7c955-c4dd-45c2-bfd0-ae2134cfc255/%E2%80%9CDecember+25%2C+2025%E2%80%9D+Aviva+Rahmani.jpg</image:loc>
      <image:title>Blog - Safety - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“December 25, 2025” Aviva Rahmani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/whats-love-got-to-do-with-it</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/7277d645-5c27-4e77-9269-870e8c304ac1/Arms+Around+the+Marsh+76x86+oil+on+linen+1999+Aviva+Rahmani.jpg</image:loc>
      <image:title>Blog - What’s Love Got to Do With It? - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“Arms Around the Marsh,” 76”x86” oil on linen 1999 Aviva Rahmani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/risk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/be701a00-a893-47ae-ab61-1d606085d88d/Tolstoy+%26+I+February+25%2C+2025+Pencil+on+book+pages+11x8.5++Aviva+Rahmani.jpg</image:loc>
      <image:title>Blog - Risk - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“Tolstoy &amp; I February 25, 2025” Pencil on book pages 11”x 8.5” Aviva Rahmani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/https/avivarahmanisubstackcom/p/gray-green-blue-yellow-f99j3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/3ff973b2-4052-4c6e-91e9-c3aa2cc49e25/In+performance+at+Rachel+Rosenthal%E2%80%99s+Espace+DBD+in+LA+for+Floating+Worlds+about+how+artists+feel+about+having+children+1982.jpg</image:loc>
      <image:title>Blog - Through Lines - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>In performance at Rachel Rosenthal’s Espace DBD in LA for “Floating Worlds,” about how artists feel about having children 1982</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/https/avivarahmanisubstackcom/p/gray-green-blue-yellow-7d8sm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/7f8ba002-308d-4414-a5fa-b0d7a7fad8b2/May+9%2C+1979+Del+Mar%2C+California+from+the+Sunsets+and+Dawns+series+1976-9+Aviva+Rahmani.jpg</image:loc>
      <image:title>Blog - Mourning - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“May 9, 1979 Del Mar, California” from the Sunsets and Dawns series 1976-9 Aviva Rahmani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/https/avivarahmanisubstackcom/p/gray-green-blue-yellow</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/a8e18b9b-fb96-48d9-91a9-7309df675890/October+7+2025+from+the+Tolstoy+I+series-+pencil+on+published+text+11x8.5+Aviva+Rahmani.jpg</image:loc>
      <image:title>Blog - Gray, Green, Blue, Yellow - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“October 7, 2025” from the Tolstoy &amp; I series, pencil on published text 11”x8.5” Aviva Rahmani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/https/avivarahmanisubstackcom/p/light-and-wood</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/8326f39a-a0e1-4def-bc2d-c11c8f80b053/Light%2C+Wood%2C+Rock+1965%2C+2025+Oil+on+linen+with+driftwood+and+granite+rock.jpg</image:loc>
      <image:title>Blog - Light and Wood - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“Light, Wood, Rock,” 1965, 2025 50”x50” Oil on linen with driftwood and granite rock</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/https/avivarahmanisubstackcom/p/sadness-and-beauty</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/8a01d70b-2746-489e-b6a4-739bb4581d6e/Winte%E2%80%9D+Oil+on+linen+10x10+2009+Aviva+Rahmani.webp</image:loc>
      <image:title>Blog - Sadness and Beauty - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“Winter” Oil on linen 10”x10” 2009 Aviva Rahmani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/memory-and-continuity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/63f53db3-d527-45a2-a312-69f4a1f97a62/Collage+of+Artifacts+with+Photograph+by+Jon+Phetteplace+1985+Aviva+Rahmani..webp</image:loc>
      <image:title>Blog - Memory and Continuity - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>Collage of Artifacts with Photograph by Jon Phetteplace 1985, Aviva Rahmani.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/could-there-be-a-silver-lining-to-climate-change</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/e1fd1b72-3b0f-4b81-b41c-755815e13bdf/%E2%80%9CThe+Arctic+to+the+Gulf+of+Mexico%2C%E2%80%9D+Aviva+Rahmani.webp</image:loc>
      <image:title>Blog - Could There be a Silver Lining to Climate Change? - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“The Arctic to the Gulf of Mexico,” Aviva Rahmani variable sizes detail from “Tipping Points/Trigger Points” 2007.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/the-personal-is-policy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/392de6f3-ca2c-46ec-b7d4-44a1bd5cdb04/Midpoint+Aviva+Rahmani+photocollage+18x20.jpg</image:loc>
      <image:title>Blog - The Personal Is Policy - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“Midpoint,” Aviva Rahmani photocollage 18”x20”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/on-pain-and-power</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/f3acb9bc-7af0-4a0a-ac4e-5ed484b8383d/portrait+of+aviva+rahmani+at+age+14.webp</image:loc>
      <image:title>Blog - On Pain and Power - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“Midpoint,” Aviva Rahmani photocollage 18”x20”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/empathy-imagination-and-discard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/5486cf86-1299-4268-b1fa-bb628a063fcf/trigger+points+tipping+points+software+still+-+aviva+rahmani.jpg</image:loc>
      <image:title>Blog - Empathy, Imagination and Discard - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>Detail from the series “Trigger Points /Tipping Points,” software generated still from the video of the same name. Variable sizes 2007</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/hot-heart-cold-stare</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/4d4fd014-9bfd-4ee4-aa59-5add91bdb4c5/Monday+Morning+-+egg+tempura+on+wood+-+aviva+rahmani.jpg</image:loc>
      <image:title>Blog - Hot Heart, Cold Stare - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“Monday Morning,” 36”x44” Egg tempera on wood 1983 Aviva Rahmani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/the-shock-and-awe-of-trauma</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/91cc8a77-3a72-4ab8-b239-ee90fd241664/Night+Scene+-+oil+and+linen+-+aviva+rahmani+painting.jpg</image:loc>
      <image:title>Blog - The Shock and Awe of Trauma - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“Night Scene” Oil on Linen 76”x96” 1987 Aviva Rahmani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/performance-and-anti-performance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/988c2204-7b80-4cdf-9360-3c07b4d7a01c/humming+bird+-+photo+by+Aviva+Rahmani.jpg</image:loc>
      <image:title>Blog - Performance and Anti-performance - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“Collateral Damage” Aviva Rahmani September 2025</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/as-a-child</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/a278d7ad-af14-4c41-b06d-3b7b46aa4a96/Detail+of+If+a+mural+for+the+Maine+Musuem+of+Contemporay+Art+2002.webp</image:loc>
      <image:title>Blog - As A Child - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>Detail of “If,” a mural for the Maine Musuem of Contemporay Art 2002 showing how contiguous empty lots in the city of Portland, Maine might become cascades for regional habitat rstoration in the midst of an urban enviornment. Aviva Rahmani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/un-narrativing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/6f1480a7-88ad-458d-b66e-60e6a9e1c019/Tolstoy+%26+I%2C+8-13-25+blue+pencil+on+original+pages.webp</image:loc>
      <image:title>Blog - Un-narrativing - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“Tolstoy &amp; I, 8-13-25,” 10”x8” blue pencil on original pages</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/ephemerality</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/28c93ea8-98da-4a06-810e-75f0cbc8ca8f/Death+Mask+egg+tempera+and+oil+on+linen+76x86+1990+-+small.webp</image:loc>
      <image:title>Blog - Ephemerality - In this article I will explore some questions that seem to be emerging in our times, that concern me as an artist. The world seems poised at an historic inflection: what do we deem worthy of protection? Art and artists are as much at the center of that inflection as education, wealth gaps or the destruction of the ecosystems humans depend upon.</image:title>
      <image:caption>“Death Mask,” egg tempera and oil on linen 76”x86” 1990</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/connecting-dots-from-the-personal-to-the-political</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1cec8cab-5fcd-4c87-b67c-f2736331fd8b/connecting+the+does+-+photograph+by+Aviva+Rahmani.jpg</image:loc>
      <image:title>Blog - Connecting Dots From the Personal to the Political - Make it stand out</image:title>
      <image:caption>“Connecting Dots,” Photograph by Aviva Rahmani 1997, the moment when fresh water met salt water as part of the Ghost Nets Project (1990—2000) for the first time in 100 years, after excavating made land to daylight an estuary.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/conversations-at-the-edge-of-the-brink-tm8gm-5k2rh-zn573-xggch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/289e3f03-6b98-4e76-906a-110ad74be092/Scottish+Scroll+watercolor+on+paper+14x40+1981.jpg</image:loc>
      <image:title>Blog - Blue - Make it stand out</image:title>
      <image:caption>“Dawn 7-26-25 Vinalhaven Island, Maine” Aviva Rahmani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/conversations-at-the-edge-of-the-brink-tm8gm-5k2rh-zn573</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/4b4dd00f-e4a1-4c05-b4c2-26b171f1c17a/Dawn+7-26-25+Vinalhaven+Island%2C+Maine.jpg</image:loc>
      <image:title>Blog - Impunity Is A Terrible Thing - Make it stand out</image:title>
      <image:caption>“Dawn 7-26-25 Vinalhaven Island, Maine” Aviva Rahmani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/conversations-at-the-edge-of-the-brink-tm8gm-5k2rh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/8c44c763-9352-4a84-a5b3-33e022471f6f/Aviva+Rahmani+drawing+on+printed+page.jpg</image:loc>
      <image:title>Blog - J'accuse - Make it stand out</image:title>
      <image:caption>“Tolstoy &amp; I July 1, 2025,” 10”x8” Aviva Rahmani drawing on printed page.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/conversations-at-the-edge-of-the-brink-tm8gm-5k2rh-zn573-r7g7j</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/e10f53fa-06d0-40f5-9a56-9a4f231f128f/Blued+Tress+Opera+in+rehearsal+forperformance+at+the+Soapbox+Galler+2024+y+Gallery.jpg</image:loc>
      <image:title>Blog - Aviva Rahmani Draws What We Inherit - Antonino La Vela - Make it stand out</image:title>
      <image:caption>“Dawn 7-26-25 Vinalhaven Island, Maine” Aviva Rahmani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/does-the-sea-dream</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/c7810b8a-798d-4275-8e23-3699d0ac0f88/Are+We+Lost+-+woodblock+print.jpg</image:loc>
      <image:title>Blog - Does the Sea Dream? - Make it stand out</image:title>
      <image:caption>Detail from “Are We Lost?” First state Aviva Rahmani 450 x 303 mm woodblock print 2025</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/conversations-at-the-edge-of-the-brink-tm8gm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/9e61cd8e-2198-4304-95c7-fb32b2b9d53f/%E2%80%9CFalling%2C%E2%80%9D+40%E2%80%9Dx72%E2%80%9D+1985+oil+on+linen+Aviva+Rahmani.jpg</image:loc>
      <image:title>Blog - A Few Thoughts On Earth Day - Make it stand out</image:title>
      <image:caption>“Falling,” 40”x72” 1985 oil on linen Aviva Rahmani.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/conversations-at-the-edge-of-the-brink</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/04e20353-15e4-4a26-9784-49f29181b650/Conversations+at+the+Edge+of+the+Brink.jpg</image:loc>
      <image:title>Blog - Conversations at the Edge of the Brink - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/the-future-is-now-52hs3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/e4b9bb6a-b0b6-4403-a978-1a8162d6079b/fe4d77c1-fef6-4418-90ea-00304ac623aa.jpg</image:loc>
      <image:title>Blog - The Loneliness of Absolute Power - Make it stand out</image:title>
      <image:caption>John White and Aviva Rahmani in the performance of “Mirrors,” a 1970 work by Aviva Rahmani filmed by Lynne Lonidier.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/the-future-is-now</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/eb11f80a-e227-47f1-8244-aa7a5f628b25/The+Six+Rules+of+my+trigger+point+theory+to+find+order+in+chaos..jpg</image:loc>
      <image:title>Blog - The Future Is Now - Make it stand out</image:title>
      <image:caption>The Six Rules of my trigger point theory to find order in chaos.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/surviving-a-failed-state</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/a962bc87-10d0-4cd2-b857-d1de76f008c8/%E2%80%9CTolstoy+and+I.+2-5-25%E2%80%9D+conte+pencil+on+pages+of+a+1937+edition+of+War+and+Peace.jpg</image:loc>
      <image:title>Blog - Surviving a Failed State - Make it stand out</image:title>
      <image:caption>“Tolstoy and I. 2-5-25” conte pencil on pages of a 1937 edition of War and Peace, 10 x 7.75 inches.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/law-society-and-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/adbb0aed-2fec-4d9e-b6a6-08919fb3cd95/law+society+and+art.jpg</image:loc>
      <image:title>Blog - Law, Society and Art - Make it stand out</image:title>
      <image:caption>Self Portrait from the series, “Tolstoy and I.” 10”x7.75” Conte pencil on pages of 1937 edition of, “War and Peace.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/after-the-fires-and-the-floods</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/8840c6c3-cbf6-40cb-b3b6-1278f4a2f47f/1bf525cd-e1b6-45e0-8e5e-6ea5f7e3601b_4032x3024.jpg</image:loc>
      <image:title>Blog - After the Fires and the Floods - Make it stand out</image:title>
      <image:caption>A page of Gustav Dore’s illustrations for “Don Quixote”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/blued-trees-goes-to-the-hague</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/43af7e08-fac1-499c-a0b2-6459cb502919/3337c381-8c91-4c33-a31e-ebe1252398f7_4032x3024.jpg</image:loc>
      <image:title>Blog - Blued Trees Goes to the Hague - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/location-location-location</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/a84bf26e-b1cc-42b0-8fdb-c45025f8b839/location+location+location.jpg</image:loc>
      <image:title>Blog - Location, location, location - Make it stand out</image:title>
      <image:caption>The Hague</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/the-fourth-wall-as-sculpture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/f504b408-c806-464f-b232-e301e0aa3d86/Rishauna+Zumberg+labors+to+move+under+the+weight+of+blued+branch.jpg</image:loc>
      <image:title>Blog - The Fourth Wall as Sculpture - Make it stand out</image:title>
      <image:caption>Rishauna Zumberg labors to move under the weight of blued branch, as the wife of a fossil fuel executive, in the performance of, “Blued Trees in NYC; The Sea Will Have The Last Word,” at the Anita Rogers Gallery October 30, 2024.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/time-and-the-matron</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/f9d06e46-b618-4d28-b75e-4451a7b8dd60/857cf96b-d44a-4de1-a900-326c302440a5_4032x3024.jpg</image:loc>
      <image:title>Blog - Time and the Matron - Make it stand out</image:title>
      <image:caption>Branches being painted in the gallery, with help from Elia Emery Min, in preparation for installation for the October 30 event at the Anita Rogers Gallery, 484 Greenwich St., NYC NY</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/perspective-trompe-loeil-and-betrayal-fr7yl-4rn55</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/b8494774-d0f7-4f0a-af26-fb4ffe5ab3fc/Waves+and+branches+-+graphite+on+paper.jpg</image:loc>
      <image:title>Blog - The Wife and the Sea - Make it stand out</image:title>
      <image:caption>Waves and branches. 8”x9.5” graphite on paper 2024 Aviva Rahmani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/perspective-trompe-loeil-and-betrayal-fr7yl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/728cadc2-7889-4102-9c94-fb39dc5df037/Site+of+the+Blue+Rocks.jpg</image:loc>
      <image:title>Blog - Silos and Sensibilities - Make it stand out</image:title>
      <image:caption>Site of the Blue Rocks project twenty years after habitat restoration</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/perspective-trompe-loeil-and-betrayal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/186b4ea4-e7ee-418e-aa84-2f3306b1b439/a03df146-82e6-4769-bd33-78da683fbb7b_1000x727.jpg</image:loc>
      <image:title>Blog - Perspective, Trompe L'Oeil and Betrayal - Make it stand out</image:title>
      <image:caption>Detail of image from the drawing series, “Are We Lost?” to be exhibited October 30 at the Anita Rogers Gallery. Aviva Rahmani colored pencils and oil on paper 7”x15” 2024.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/symmetry-and-society-ye22g</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/a515ccd7-2cac-41c0-accd-da2a969a71dc/Bed+of+Nets+Aviva+Rahmani.jpg</image:loc>
      <image:title>Blog - Metaphors and Murder - Make it stand out</image:title>
      <image:caption>Image: Bed of Nets Aviva Rahmani 1992</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/symmetry-and-society</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/a80de3f0-b5d3-493c-9348-9b0be63a9017/autumn-leaves.jpg</image:loc>
      <image:title>Blog - Symmetry and Society - Make it stand out</image:title>
      <image:caption>Fallen leaves</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/negative-and-positive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/05d7c817-7a03-4a1c-89f6-544d25875bfc/Negative+and+Positive.jpg</image:loc>
      <image:title>Blog - Negative and Positive - Make it stand out</image:title>
      <image:caption>The view from Surfside on Vinalhaven Island, Maine</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/the-shape-of-an-audience</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-09</lastmod>
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      <image:title>Blog - The Shape Of An Audience - Make it stand out</image:title>
      <image:caption>Studio wall 2024</image:caption>
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  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/living-on-the-edges</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-08</lastmod>
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      <image:title>Blog - Living on the Edges - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blog/the-shape-of-an-audience-djl56</loc>
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    <priority>0.5</priority>
    <lastmod>2024-09-08</lastmod>
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      <image:caption>Sea Smoke, A Beautiful View” 6”x6” oil on wood panel 2009. At the winter intersection of air and water.</image:caption>
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      <image:caption>First test to complete “Echoes of the Island” at the Vinalhaven Ferry Terminal in collaboration with Hugh Martin June 7, 2022.</image:caption>
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      <image:caption>The Blued Trees Symphony, printed Geographic Information Systems mapping, colored pencil and gold leaf on paper. 18”x27” 2022</image:caption>
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      <image:caption>14”x11” Detail of “The Blued Trees Symphony” GIS print on paper with colored pencils and gold leaf 2022</image:caption>
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      <image:caption>“Breaking Wave; painting as mnemonic for change,” oil on linen 1992 12”x12.”</image:caption>
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      <image:caption>“Salt March” 60”x20” oil on linen 1994</image:caption>
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      <image:caption>Maine light. Easter Sunday 2022.</image:caption>
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      <image:caption>Detail of the Blued Trees Score to be shown at Various Small Fires, opening July 19, 2022</image:caption>
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      <image:caption>Spring morning sky for the Vernal Equinox. New York City 2022.</image:caption>
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      <image:caption>Hayagriva Tibetan Buddhist scroll</image:caption>
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      <image:title>Blog - Changing the Paradigm; Ecoart Workshop July 21, 22 Vinalhaven Island, Maine - Make it stand out</image:title>
      <image:caption>View out my studio doors, summer 2021.</image:caption>
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      <image:title>Blog - Going Towards Life - Make it stand out</image:title>
      <image:caption>Pigeon considers life. Photograph by Aviva Rahmani 2021</image:caption>
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      <image:title>Blog - About the Mark - Make it stand out</image:title>
      <image:caption>The Blued Trees Symphony 2019, Aviva Rahmani</image:caption>
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      <image:caption>In the wake of the Republican nominee winning the 2016 US election, this homoerotic Photoshopped picture was spread widely on Twitter and VK – the Russian version of Facebook. “Putin’s dream come true,” one Russian said on VK, and shared thousands of times.</image:caption>
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      <image:caption>Pine Tree Central Park Aviva Rahmani December 18, 2021</image:caption>
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      <image:caption>Photograph of red tree in Central Park.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Diana and Callisto by Titian, Oil on canvas, 187 cm × 204.5 cm (74 in × 80.5 in), 1556–1559, National Gallery and Scottish National Gallery, London and Edinburgh</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Edges #16” 12”x12” Oil on canvas September 2021</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2026-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607660870705-EJ2AKS4TNPHSRW9WV0GH/50+years+of+work.jpg</image:loc>
      <image:title>Biography - 50 Years of Work</image:title>
      <image:caption>The book 50 Years of Work by Aviva Rahmani showcases her performances, installations, exhibitions, and public art on the environment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607985684209-0K0SMXELSQE0XOIBUOVL/Aviva+Rahmani+with+Blued+Branches.jpg</image:loc>
      <image:title>Biography - The Blued Trees Symphony</image:title>
      <image:caption>“Blued Trees Symphony Stands for Environmental Justice” -- Aviva Rahmani (Image: cropped from photograph by Joel Greenberg, 2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607844219127-757BPNF47ASWSGVHZYX7/Aviva+Rahmani+sitting+in+tree+by+Fred+Lonider+cropped.jpg</image:loc>
      <image:title>Biography - Image: cropped photo of Aviva Rahmani by Fred Lonidier at the wedding of Pauline Oliveros and Linda Montano in San Diego, 1970</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607292900557-DQP8AWGV43VTCHQI5Q2B/Aviva+Rahmani+portrait+photo.jpg</image:loc>
      <image:title>Biography</image:title>
      <image:caption>Image: Joe Gaffney. Performance of “Floating Worlds,” at Espace DBD in Los Angeles, 1982.</image:caption>
    </image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Interviews - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Interviews - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>A performative climax of the exhibition was timed in response to the 2016 presidential election. At Virginia Tech — branches painted with a casein of buttermilk and ultramarine blue pigment with 10- 60” x 36” hanging translucent panels printed with text excerpted from my writings about the legal issues were suspended from the gallery ceiling in an environment of immersive birdsong. — Photo: Sarah Miller</image:caption>
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      <image:caption>A meditative visual analysis with immersive birdsong of where refugia might remain after all polar ice has melted. Curated by Yu Hyun-Ju at the Korea Research Institute of Chemical Technology (KRICT) Art Gallery, Daejeon, South Korea. 10’x15’ Photomontage with suspended, ultramarine blue painted local quince branches illustrating sea-level rise when all Arctic and Antarctic ice melts, and some remaining refugia for terrestrial life. — Photo: Aviva Rahmani</image:caption>
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      <image:title>Exhibitions - String Quartet Performance, Virginia</image:title>
      <image:caption>String Quartet Coda performance with the Blued Trees Symphony installation in Perspective Gallery, Virginia Tech, followed by a performance of a new score by I composed about the legal premises. — Photo: Robin Scully</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions</image:title>
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      <image:title>Exhibitions</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607313896673-MTRT0OKB4BKTLCT0O2OO/blued+trees.jpeg</image:loc>
      <image:title>Referenced by Others - “Blued Trees has come to symbolize — in a powerfully visual way — the absurdity of a political system that props up the rights of corporations.”</image:title>
      <image:caption>— Audrea Lim. Image: Robin Boucher</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607847330997-9ISB4BIILM76X4N4QBK3/blued+trees+closeup.jpg</image:loc>
      <image:title>Referenced by Others - “Aviva Rahmani argues that many entrenched political issues can be addressed with artistic thinking and a focus on human relationships.”</image:title>
      <image:caption>— Isaac Kaplin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1608013284461-94FKPDDVNN41TCGEI06X/Feminist+Art+-+Ablutions+1972.jpg</image:loc>
      <image:title>Referenced by Others</image:title>
      <image:caption>“Their feminism centers on the interconnections of society, nature, and the cosmos.” — Eleanor Heartney, discussing Aviva Rahmani, Agnes Denes, Helen and Newton Harrison (The Harrisons) Betsy Damon and Bonnie Ora Sherk.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607845124740-C8DPH73QB1OWZWAL5ZFP/blued+trees.jpg</image:loc>
      <image:title>Referenced by Others - “This is a story about how art, activism and trees joined together in song.”</image:title>
      <image:caption>— Gusti Bogok.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/feminist-art</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-01-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607906396883-U9U6YCB1CNBP1ZI3U6C3/Feminist+Art+-+Ablutions+1972.jpg</image:loc>
      <image:title>Feminist Art - ‘Ablutions’: Still from performance, Los Angeles, California, 1972</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607908450221-L7P6Y5WGKFQFJKAXNR4K/Requiem+1990.jpg</image:loc>
      <image:title>Feminist Art - ‘REQUIEM Installation detail’: 36” x 36” x2 and 86” x 76” oil on linen paintings at University of Missouri - St. Louis, Missouri, 1990</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607907904460-ANUTUJIT2MLEQY0JQUGW/Feminist+Art+-+Meat+Piece+2005.jpg</image:loc>
      <image:title>Feminist Art - ‘Meat Piece’: Still from 2005 restaging, one of many photographs taken under the direction of Rahmani. Multiple films were created around this metaphor for rape between 1969-1972, contributing to the work ‘Ablutions’ and restaged for stills in 2005.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607906968756-DS59463Q39WZ7YCBNZ6S/image-asset.jpeg</image:loc>
      <image:title>Feminist Art - ‘Physical Education’: Detail shot from performance directed by Aviva Rahmani and performed by Mayilyn Emerzon, 1972.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/political-art</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-01-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1608305101056-NHPQGQ3G6QXUQ8TS9NCM/savinggoodness-infographic.jpg</image:loc>
      <image:title>Political Art</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/complex-systems</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-16</lastmod>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/press</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1612408972999-825RXNQ4RLOAVYHJUXK1/Head+Shot+from+Mock+Trial+Aviva+Rahmani+2018.jpg</image:loc>
      <image:title>Press - “In the midst of ecocide, art can divine hope out of a chaotic world. My task as an artist is to understand that and design another world.”</image:title>
      <image:caption>— Aviva Rahmani</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/852b3eda-8e87-4a38-b6a6-bfb4004b8c64/divining+chaos.jpg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1612413714520-XA903WOUNHMMQSKYY0X4/Leonardo+Music+Journal.jpg</image:loc>
      <image:title>Press</image:title>
      <image:caption>The Music of the Trees: The Blued Trees Symphony and Opera as Environmental Research and Legal Activism Leonardo Music Journal 2019 Vol. 29, 8-13. 2019. https://www.mitpressjournals.org/doi/pdfplus/10.1162/lmj_a_01055</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1612413752135-KGO015CT7GCGYJAHLAMX/A+Year+of+Positive+Thinking.jpg</image:loc>
      <image:title>Press</image:title>
      <image:caption>Blowin’ in the Wind” M/E/A/N/I/N/G: The Final Issue on A Year of Positive Thinking December 2016. https://ayearofpositivethinking.com/2016/12/17/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1612413775265-KXBQ6IVOO9AGOI7NPAJW/Center+for+Humans+and+Nature.png</image:loc>
      <image:title>Press</image:title>
      <image:caption>The Spirit of Change: Water, Policy and Ecological Artmaking Center for Humans and Nature October 21 2016 https://www.humansandnature.org/the-spirit-of-change</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/71883e35-b999-40a1-8d18-82606bcd0c97/Divining%2BChaos%2BCOVER%2B%281%29.jpg</image:loc>
      <image:title>Press</image:title>
      <image:caption>Divining Chaos The Autobiography of an Idea is a spirited memoir by artist Aviva Rahmani, offering a relatable narrative to discuss trigger point theory and the importance of eco-art activism. Written by Aviva Rahmani, foreword by Lucy R. Lippard. New Village Press. 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/6ab8f972-7a5a-4ab7-8be3-c64917756b04/ecoart%2Bin%2Baction.jpg</image:loc>
      <image:title>Press</image:title>
      <image:caption>Organizing the Approach in “Ecoart in Action,” an Anthology of writings About Teaching Ecological Art, edited by Christopher Fremantle, Amara Geffen, Aviva Rahmani and Ann Rosenthal. New Village Press. 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1612412126901-S6O4Q3T4G8W56SWMPN0O/Art+Theory+and+Practice+in+the+Anthropocene+-+Cover.jpg</image:loc>
      <image:title>Press</image:title>
      <image:caption>Blued Trees as Policy: art, law, science and the Anthropocene in Art, Theory and Practice in the Anthropocene Edited by Julie Reiss, Wilmington, Delaware: Vernon Press. 2019.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/3d-virtual-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-25</lastmod>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/publications</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-05-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/0a4a1dea-6d0a-4a54-b712-8e45b4ae64cf/divining+chaos.jpg</image:loc>
      <image:title>Publications</image:title>
      <image:caption>Aviva Rahmani’s new book ‘Divining Chaos The Autobiography of an Idea’ from New Village Press. See reviews of Divining Chaos here: Reviews</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/9967ffc7-d611-4d8b-89fc-e13aba5c70af/ecoart+in+action.jpg</image:loc>
      <image:title>Publications - Organizing the Approach in “Ecoart in Action,” an Anthology of writings About Teaching Ecological Art, edited by Christopher Fremantle, Amara Geffen, Aviva Rahmani and Ann Rosenthal. New Village Press. 2022.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607828394581-WDG6XTV6SE2BQ1BT10GU/Art+Theory+and+Practice+in+the+Anthropocene+-+Cover.jpg</image:loc>
      <image:title>Publications - Blued Trees as Policy: art, law, science and the Anthropocene in Art, Theory and Practice in the Anthropocene Edited by Julie Reiss, Wilmington, Delaware: Vernon Press. 2019.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607828844288-IK43LRPIZC2B43OCWHCJ/Field+to+Palette+Cover.jpg</image:loc>
      <image:title>Publications - Rocks, Radishes, Restoration: on the relationships between clean water and healthy soil Aviva Rahmani and Ray Weil in Field to Palette Edited by Alex Toland, Jay Stratton Noller and Gerd Wessolek, Boca Raton: CRC Press. 2018.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607829035061-3RRP54GYTD1GJBUBUPGO/1000x+Landscape+Architecture+Cover.jpg</image:loc>
      <image:title>Publications - 1000x Landscape Architecture, Germany: Braun. 2009.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607829158391-BGTUJHPCY9ZFKSS1L3W4/Sustainability+-+a+new+frontier+for+the+arts+and+cultures+cover.jpg</image:loc>
      <image:title>Publications - The Butterfly Effect of Hummingbirds: environmental triage: disturbance theory, trigger points, and virtual analogs for physical sites in Sustainability: a new frontier for the arts and cultures Edited by Sacha Kagan and Volker Kirchberg, Waldkirchen: VAS-Verlag pp: 264-289. 2008.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607829557619-YTVFFZOVCQXDWAZBOAX4/Blaze-+Discourse+on+Art+Women+and+Feminism+-+Cover.jpg</image:loc>
      <image:title>Publications - Practical Ecofeminism in Blaze: Discourse on Art, Women and Feminism edited by Karen Frostig and Kathy A. Halamka, Newcastle: Cambridge Scholars Publishing, p. 315. 2007.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607831012157-652ITJKJBT0AC2PZG09F/lmj+2019+29.cover.jpg</image:loc>
      <image:title>Publications - The Music of the Trees: The Blued Trees Symphony and Opera as Environmental Research and Legal Activism Leonardo Music Journal 2019 Vol. 29, 8-13. 2019. https://www.mitpressjournals.org/doi/pdfplus/10.1162/lmj_a_01055</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607830880257-004QUOANHUI5HEFU2HY6/A+Year+of+Positive+Thinking+-+Cover.jpg</image:loc>
      <image:title>Publications - Blowin’ in the Wind” M/E/A/N/I/N/G: The Final Issue on A Year of Positive Thinking December 2016. https://ayearofpositivethinking.com/2016/12/17/</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607831680588-I60TNCMHG2B1ZCBM5Z3Z/The+Spirit+of+Change-+Water%2C+Policy+and+Ecological+Artmaking+-+Cover.jpg</image:loc>
      <image:title>Publications - The Spirit of Change: Water, Policy and Ecological Artmaking Center for Humans and Nature October 21 2016 https://www.humansandnature.org/the-spirit-of-change</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607832067007-93NBAEISPSO176WSKWBT/The+Brooklyn+Rail+-+Cover.jpg</image:loc>
      <image:title>Publications - Blued Trees on the front lines journal excerpts The Brooklyn Rail, November 5th 2015. https://brooklynrail.org/2015/11/criticspage/blued-trees-on-the-front-lines-journal-excerpts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607832276915-67FW91NF6SUZSJYWAYYA/CSPA+Quarterly+-+Cover.jpg</image:loc>
      <image:title>Publications - Blued Trees CSPA Quarterly Issue 12, August 3, 2015. https://www.jstor.org/stable/cspaquarterly.issue-12 2015.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607832658372-E89QLK8ODG0GJJHS2AHU/Women+Eco+Artist+Dialog+-+Cover.jpg</image:loc>
      <image:title>Publications - A Community of Resistance: Collaborative Work with Science and Scientists.” WEAD Magazine (an online magazine). Issue 7, CREATING COMMUNITY, 2014. https://directory.weadartists.org/communities-art-science</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607832862897-ZOIVRMXLF9JDEXVHGN7J/Journal+of+Environmental+Studies+and+Sciences.jpg</image:loc>
      <image:title>Publications - Fish Story Memphis: Memphis is the Centre of the World Journal for Environmental Studies and Sciences [online] Vol. 4 (2; June 2014): 176–179. http://link.springer.com/article/10.1007%2Fs13412-013-0150-z</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607833114596-NI3QPHKTO26VJYUE0VOU/public%2Bart%2Breview%2Bissue%2B48%2B2013.jpg</image:loc>
      <image:title>Publications - Triggering Change: A Call to Action Public Art Review Vol. 24, Issue 48, Spring/Summer 2013. https://issuu.com/forecastpublicart/docs/par48_full</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607833950033-7ZHUVHZ8C6NYQNGPT4W1/Mapping+Trigger+Point+Theory+-+Cover.png</image:loc>
      <image:title>Publications - Mapping Trigger Point Theory as Aesthetic Activism PJIM, Vol.4, Issue 2, Winter pp.1-9. 2012.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/commissioned-installations</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/932c139f-6412-44e6-893a-5b4d88901914/1.+Echoes_of_Islands_III.jpg</image:loc>
      <image:title>Commissioned Installations</image:title>
      <image:caption>Echoes of the Islands III 50”x60”x20” crushed glass in resin and granite 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/c4ff61e6-0fa2-4f36-a341-9be4cd0c42b2/2.+Echoes_+detail.jpg</image:loc>
      <image:title>Commissioned Installations</image:title>
      <image:caption>Detail Echoes of the Islands III 50”x60”x20” crushed glass in resin and granite 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/2cc8ec7e-35d2-49e5-889b-f70b501e05f9/3.+2019+Blued+Trees+Black+Skies.jpeg</image:loc>
      <image:title>Commissioned Installations</image:title>
      <image:caption>Blued Trees Black Skies installation, Location: Governors Island 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/151aac83-2eec-41e8-949f-46f8e9247874/3.+2019_Lost+Forests+Found.jpg</image:loc>
      <image:title>Commissioned Installations</image:title>
      <image:caption>“Lost Forests Found “60”x70” casein on branches in grass 2020 See 3-D and contextualized view of this sculpture here: https://vimeo.com/485820262 Title: The Hunt for the Lost Date: 2020 September-November Running time: 05:21 Contribution: Drone footage and audio/ video editing by Georgi Tushev Brief synopsis: Drone footage of Hunt for the Lost painted broken branches installation and political style signage installed on Governors Island, NY as spatial choreography engaging a wide landscape with simple cues; installation of and signage 2020. Estimated that 16,000 visitors a week saw the installations before voting for the 2020 American Presidential election.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/b5aeb795-014a-4018-8536-a7af16acfb7d/5.+The+Blued+Trees+Symphony+Measures%26+Sites.jpg</image:loc>
      <image:title>Commissioned Installations</image:title>
      <image:caption>Title: The Blued Trees Symphony Date: 2022 Size: 18” x 37” Medium: printed GIS map, colored pencil and gold leaf on paper Details: Overlay of score with mapped locations of The Blued Trees Symphony events.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/40a6b3a8-810d-49e4-b903-3a39d02a20cd/6.+The+BluedTrees%26+SItes_DEtail.jpg</image:loc>
      <image:title>Commissioned Installations</image:title>
      <image:caption>Title: Detail The Blued Trees Symphony Date: 2022 Size: 18” x 37” Medium: printed GIS map, colored pencil and gold leaf on paper Details: Overlay of score with mapped locations of The Blued Trees Symphony events.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/0d1b0959-1865-451e-9c9b-64ed4b635e4d/7.+Rahmani+Blued+Trees+Symphony+Global+installation.jpg</image:loc>
      <image:title>Commissioned Installations</image:title>
      <image:caption>Title: Blued Trees Coda Installation detail 1 Date: 2016 Size: Installation: 75’ x 25’; hanging panels 60” x 36” and branches up to 10' long Material: Suspended branches painted in a casein of ultramarine blue pigment and buttermilk with 10 translucent panels of text excerpted from writings by the artist. Brief synopsis: Installation designed to capture the experience of moving meditatively through a forest while considering legal priorities to potentially help protect environmental rights, installed at the Perspective Gallery of Virginia Tech in Blacksburg, VA. Photo by Pippi Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/02ce00d4-ea6f-4a73-be92-a237f982da83/8.++Coda_Blued+Trees.jpg</image:loc>
      <image:title>Commissioned Installations</image:title>
      <image:caption>Title: Blued Trees Coda Installation detail 1 Date: 2016 Size: Installation: 75’ x 25’; hanging panels 60” x 36” and branches up to 10' long Material: Suspended branches painted in a casein of ultramarine blue pigment and buttermilk with 10 translucent panels of text excerpted from writings by the artist. Brief synopsis: Installation designed to capture the experience of moving meditatively through a forest while considering legal priorities to potentially help protect environmental rights, installed at the Perspective Gallery of Virginia Tech in Blacksburg, VA. Photo by Pippi Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/c45cb060-5ec3-4fb5-82ea-f06bedeb4be7/9.+One_Tree_Note+VA_Photo_by_Robin_Scully+copy+3.jpeg</image:loc>
      <image:title>Commissioned Installations</image:title>
      <image:caption>Title: Blued Trees Coda Installation detail 1 Date: 2016 Size: Installation: 75’ x 25’; hanging panels 60” x 36” and branches up to 10' long Material: Suspended branches painted in a casein of ultramarine blue pigment and buttermilk with 10 translucent panels of text excerpted from writings by the artist. Brief synopsis: Installation designed to capture the experience of moving meditatively through a forest while considering legal priorities to potentially help protect environmental rights, installed at the Perspective Gallery of Virginia Tech in Blacksburg, VA. Photo by Pippi Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/a31427d0-6b23-4014-915c-181101cc0373/10.+Bark+detail.jpeg</image:loc>
      <image:title>Commissioned Installations</image:title>
      <image:caption>Title: Blued Trees Coda Installation detail 1 Date: 2016 Size: Installation: 75’ x 25’; hanging panels 60” x 36” and branches up to 10' long Material: Suspended branches painted in a casein of ultramarine blue pigment and buttermilk with 10 translucent panels of text excerpted from writings by the artist. Brief synopsis: Installation designed to capture the experience of moving meditatively through a forest while considering legal priorities to potentially help protect environmental rights, installed at the Perspective Gallery of Virginia Tech in Blacksburg, VA. Photo by Pippi Miller.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/paintings-and-2d-work</loc>
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    <lastmod>2026-01-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/ce9fd799-f3ae-4f1c-ba7a-8a47086207fd/Arms+around+the+Marsh.jpg</image:loc>
      <image:title>Paintings and 2D Work</image:title>
      <image:caption>Arms Around The Marsh 76" x 86" oil on linen canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/45f00437-cd83-4fef-88dc-d1925b76e407/Breaking+Waves+76x86+inch+1998.jpg</image:loc>
      <image:title>Paintings and 2D Work</image:title>
      <image:caption>Breaking Waves 76" x 86" oil on linen canvas 1998</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/4e3ddb93-fee5-4991-a8d8-081760512e23/California+Flowers+oil+on+linen++96+x+120+inch+1988+copy.jpg</image:loc>
      <image:title>Paintings and 2D Work</image:title>
      <image:caption>California Flowers 96" x 144" oil on linen canvas 1988</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/0be46897-ac00-4e9b-92bf-407be620b420/Spring+Fog+oil+on+linen+76+x+86+inches+1990.jpg</image:loc>
      <image:title>Paintings and 2D Work</image:title>
      <image:caption>Spring Fog 76" x 86" oil on linen 1990</image:caption>
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  <url>
    <loc>https://www.avivarahmani.com/praise-for-divining-chaos</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2026-01-16</lastmod>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/blued-trees-opera</loc>
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    <lastmod>2026-01-16</lastmod>
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  <url>
    <loc>https://www.avivarahmani.com/blued-trees</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-16</lastmod>
    <image:image>
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      <image:title>Blued Trees</image:title>
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      <image:title>Blued Trees</image:title>
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      <image:title>Blued Trees</image:title>
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      <image:title>Blued Trees</image:title>
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      <image:title>Blued Trees</image:title>
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      <image:title>Blued Trees</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/33f5828e-646d-4787-bbe0-dddfb36dffac/musical_overture_for_%2Bblued_trees_symphony.jpg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Musical line of the overture for the Blued Trees Symphony Date: June 2015 Size: variable Materials: photoshop Description: The Algonquin (AIM) pipeline that was the subject of the Blued Trees Symphony. The overture was conceptualized as iterated measures of the score from the Blue Mountain Reservation to the infrastructure for the Indian Point nuclear facility, indicated in red to the left of the image, within 105’ of the pipeline. The corridor extends West under the Hudson River, and North and East across the remainder of New England. Aviva Rahmani with Daisy Morton.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/9017acb9-169d-4566-a071-3eb4e4538fa8/1.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman singing and a man playing a keyboard on a stage with a white backdrop and blue branched sculpture hanging from the ceiling.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/450b18d1-f063-48bf-ab75-760000f1866a/blued_trees_symphonic_score_for_forest+%281%29.jpg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Blued Trees Symphonic Score for a Forest Date: Composed 2015 Size: 1/3 mile of tree-notes Materials: Aerial map-score of the distribution of trees designated in woodlands for painting as tree-notes with a casein slurry of buttermilk and non-toxic ultramarine blue pigment. Description: The synesthetic pattern of each 1/3 mile “measure” of the symphonic musical line was designed as both a melodic refrain and to prevent the passage of heavy machinery in increments of 1/3 mile . The score was iterated, with variations based on terrain, at every site and with various instruments. Submitted as part of the copyright material to register the ,Blued Trees Symphony.Composed and mapped by Aviva Rahmani.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/cf3d14e4-de6d-473a-b652-f0c97cd47efd/2.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman singing with a microphone and a man playing a keyboard on stage, with a white wall background displaying text about Aviva Rahmani and the sea.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/76fb72b1-489a-4c9e-8c29-5879ed4c780d/bass_notes_blued_trees_symphony_detail_3+%281%29.jpg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Bass Notes, Blued Trees Symphony Detail 3 Location Oneida County, New York Site 1 Date: October 2015 Size: Detail of 1/3 mile measure Materials: Trees painted with a casein slurry of buttermilk and non-toxic ultramarine blue pigment designed to grow mosses. Description: Detail of Blued Trees installation of the first symphonic movement of Blued Trees, on the second of three sites in Oneida County, New York, location of proposed Dominion New Market pipeline. Photo by Aviva Rahmani.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/cb19dd0a-9dde-44f6-ab84-c3931d32da68/3.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Gallery wall displaying a collection of photographs of trees in a forest, arranged in rows with some artworks featuring painted waves and boats over the photos.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1608180589752-0AO6DSUFPZNF16ZIHGUC/blued_trees_november_9_detail_4.jpg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Blued Trees November 9 Detail 4 Date: 2015 Size: 1/3 mile Materials: Trees painted with a casein slurry of buttermilk and non-toxic ultramarine blue pigment designed to grow mosses. Description: detail of tree-notes from Blued Trees overture as seen Nov. 9, 2015, after submission of cease and desist notice to the Algonquin and Spectra pipeline corporations and in-plead to the court to protect the registered copyright on the overture. Photo by Erik McGregor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/5cabf17e-f5f9-4d11-a6cb-cd4ecfa4f7bc/4.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Gallery wall displaying drawings and photographs of trees with blue marks on the trunks, and a child standing next to a tree.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/15198544-b164-4236-ae8f-ce96ec2dce66/5.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Title slide showing text: 'Aviva Rahmani's Blued Trees in NYC; The Sea Has The Last Word' on a white background.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1eb57ee1-e997-4efd-a3bf-642b439b75ff/6.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman dressed in black is holding a large blue branch-like sculpture above her head, standing on a wooden floor next to a microphone stand, with a white wall background.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/4fa49a49-db17-4895-91ee-6d71e5091334/7.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>An art exhibit with a series of photographs and abstract drawings on a white gallery wall, featuring trees and nature scenes.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/adb6ad02-fb25-40df-95f1-ac752188f529/8.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>An art gallery with blue branched sculptures on the floor and hanging from the ceiling, and a collage of nature photographs on the wall.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/670ff181-fb21-4504-84d2-092e96a97a18/9.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Woman in black clothing performing an artistic pose on a wooden floor, holding a large, artistic blue sculpture resembling tree branches against a plain white wall.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/07cd6dc1-e396-4e84-be06-cc939903977e/10.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A display with an open guestbook, a small booklet, and a photograph on a transparent table, next to a glass vase with blue paper strips and QR codes, with a note saying 'Please take one'.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/36beaa27-e322-4138-ac93-e54206cb3a8a/11.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Guestbook, photographs, and name tag at an art exhibit display.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/7ff0dcfd-424c-4652-918c-b6c9eac103d2/12.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>An older woman with gray hair, dressed in black, stands on a stage speaking into a microphone while reading from a paper. Behind her, a white wall displays text about Aviva Rahmani's blue trees in NYC and the sea. Several audience members sit in front of her, attentively watching her performance. To the right, a keyboard and a black speaker are visible.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/ff94e5f4-4d70-4bfd-a21b-5b12ef7aa08a/13.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A collection of paper tags with QR codes attached to blue sticks in a glass container.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/b31346c3-6053-4291-bb95-c13bf106f752/14.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>An art gallery with rows of beige folding chairs facing a white wall decorated with photos of trees and nature, with hanging black branches and twigs as part of the art installation.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/0441b23d-8463-4b26-ba27-01e6244d236c/15.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Senior woman with gray hair smiling, wearing a black top with a draped neckline and turquoise earrings, against a plain white background.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/73dd0b38-d8b8-4fe5-9f33-379cf29673fc/16.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>An older woman with gray curly hair smiling in front of a white wall with black text that reads: 'Aviva Rahmani's Blued Trees in NYC; The Sea Change Last Word'.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/50f9ba6b-f189-4ddf-9889-9229435a14d0/17.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Three people engaged in conversation at an art gallery, with artwork on the wall behind them.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/bdf0efae-bc48-4a86-b695-1a0aa562a952/18.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>An elderly woman with short gray hair, glasses, and earrings, smiling and talking to an elderly man with short gray hair and a cane, both wearing green jackets, in a room with white chairs and some colorful artwork in the background.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/c0362842-2ed5-4e3c-b598-13d28abbbe80/19.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Four people sitting in a gallery or event space, with colorful abstract paintings on the white wall behind them. The person on the far left is smiling, holding a drink, with long brown hair and a patterned top. The second person from the left looks serious, has dark hair and wears a dark sweater. The third person is a man with glasses, reading a program or brochure, wearing a dark outfit. The fourth person is a woman with glasses and long brown hair, adjusting her hair, wearing a green top.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/40e7aeaa-c9c1-4765-ade8-16a12bdf34bd/20.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Three women in a room with white walls and chairs. Two women are seated and speaking to each other, one has long dark hair and the other has shoulder-length blonde hair and glasses. A third woman with a headscarf and face mask stands in the background near a colorful framed artwork.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/8e2e62b0-c58b-4de9-bd0c-b899d62942c5/21.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A group of four young adults, two men and two women, engaged in conversation at an art gallery. One woman is holding a brochure, and there is a colorful abstract painting in the background.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/2f8088dc-2ed9-480f-942b-73e01521dd1e/22.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman with short hair and glasses holding a baby, engaged in conversation with an older woman with long gray hair, seated in a white chair at an indoor gathering.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/90a4147a-ae2c-4c2b-829d-e35bb7ffd7d0/23.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A young man in black clothing standing on a wooden floor, speaking into a microphone on a stand, gesturing with his hand, with a projection on the wall behind him.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/041efa2d-50c3-4f8c-9f8e-0715fc4493da/24.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Two women in conversation at an indoor event, with a background of artwork on the wall depicting nature scenes, including trees and abstract designs, and a woman with glasses visible in the foreground.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/765e8a89-2752-4cf8-ae61-e008319f1459/25.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Three people having a conversation at an art gallery, with one woman holding a paper and smiling, and the other woman raising her hand.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/23ef3f1e-c577-4a69-bc32-883665944e07/26.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Three people talking at an art gallery, with colorful art pieces on the wall behind them.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/934a03e2-48a6-42d8-956d-b941dc16f574/27.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman with blonde hair and glasses reading a paper while sitting among chairs, holding a drink with a lime slice.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/148245e0-1167-4597-9b23-09239b6f3b3c/28.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman with curly gray hair, dressed in black, standing on a wooden floor, speaking into a microphone while holding notes, with a microphone stand nearby, against a plain white wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/81763ddf-afa8-4ebc-bf23-b3e4da2584ef/29.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman singing or speaking into a microphone in front of a music stand, and a man playing a Casio keyboard, during a performance in a gallery with white walls and wooden flooring.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/8e5cae4b-c706-48d7-8214-870b2ff5a168/30.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman singing and a man playing a keyboard during a performance at an art exhibit, with a white wall and wooden floor in the background.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/36da71ea-7893-415e-9d19-bdb20194ceaa/31.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman in black kneeling and holding a large blue branch at an art performance in a gallery with a minimalist setup, with musicians in the background playing keyboard and singing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/3a1f47fb-a3cb-40c7-987b-541b2fba5640/32.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman performing with a large blue yarn sculpture, and a musical performance happening in the background in an art gallery or studio setting.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/4915ee4c-a188-4fb4-a071-b91f75b08885/33.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A performer is dancing with large blue and black fabric ribbons at an art gallery, with an audience watching, and musicians playing keyboard in the background.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/ab6e2f6d-ef88-4b3b-a957-d05a2f3f38aa/34.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman with short hair wearing a black sleeveless shirt is reaching towards a wall with white background, extending her arms out, with a large, branch-like structure made of blue material attached to her arms. The structure resembles a tree or lightning bolt.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/97f20bb1-06db-4da5-ab94-a3952ea3fde9/35.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman performing on stage with a black dress, holding a piece of black metal shaped like tree branches, with audience members watching.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/cbcd6c68-e7ed-4363-9570-7252efb21279/36.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman wearing black clothes holding a large, twisted blue stick or sculpture in an art studio or gallery space.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/af89ab42-017a-42bc-8da4-9edd04ea5d69/37.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman in black attire stands on a wooden floor beside a microphone, holding a large blue branch-like sculpture that extends upward and outward, casting a shadow on the white wall behind her.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/3d100623-489a-49b9-bbd7-0ca24490a05a/38.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Woman in black clothing holding a blue twisted branch sculpture while standing in front of a white wall with a microphone on a stand and a camera recording.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/2d272875-9f17-448b-bac8-9dc80e1ab740/39.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman singing or speaking in front of an audience during a presentation with a keyboard instrument nearby. There are people in the audience, and a large white wall with text that reads, 'Aviva Rahmani's Blued Trees in NYC; The Sea Has The Last Word'.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/04a82b78-b2d7-46c1-b2f6-ed728e6fb0c1/40.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman with freckled skin and dark hair tied in a ponytail holds a large, flexible, blue plastic tube over her shoulder, standing in a room with several women and a person at a keyboard in the background.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/63f89183-2b10-481a-a702-f8ace159869e/41.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Art performance with two women holding a large blue painted tree branch, one woman playing a keyboard, and a woman in the foreground recording with a smartphone in a gallery setting.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/102b1f48-19ef-4220-8412-14d53e4790f2/42.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>An indoor art gallery hosting a presentation or event. Audience seated in white chairs facing a woman speaking at a microphone. Artistic hanging sculptures resembling twisted branches are suspended from the ceiling. There is a keyboard and speakers on stage. Photographs are displayed on the wall to the left.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/03eb27b3-f5cc-4c71-9cc1-494f44fb70c2/43.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>An elderly woman with gray hair, wearing a black dress, speaking into a microphone while holding a piece of paper, at a presentation or lecture in front of a white wall. Audience members are seated, listening to her.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1a0c9c84-1417-4d03-a35f-ffbb86a9fc12/44.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>An elderly woman with gray hair in a black dress speaking into a microphone at a gallery or event, with an audience seated in front of her. A keyboard is visible to the right, and text on the wall reads: "Aviva Rahmani's Blue Trees in NYC; The Sea Has The Last Word."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/f09530a2-ae9f-4627-b20b-4d2a3221a920/45.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman with red hair wearing a dark suit and high heels, speaking into a microphone in front of a plain white wall.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/5fcff0e4-7f50-459d-8917-9ead895d06f2/46.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman with red hair, wearing glasses, a navy blazer with gold buttons, and jeans, is speaking into a microphone in an indoor setting with a plain white wall and wooden floor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/8c5199c3-32f7-4923-beff-d1a815e0963d/47.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman with red hair, glasses, and a dark blazer is standing in front of a white wall, speaking into a microphone during a presentation. There is a keyboard and a speaker on the floor nearby, and text on the wall that says 'Aviva Rahmani's Blue Trees in NYC; The Sea Has The Last Word.' Audience members are visible in the foreground.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/4cb56cbd-e8cc-4f06-bf11-92bc50c0dc87/48.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Three people standing and talking in an art gallery. The young man on the left is holding a beige laptop and smiling while the two women are smiling back, with one touching her face and the other with her hand on her neck.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/7ad9692d-0c9f-42f6-8f64-57ede3241278/49.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Three people engaged in conversation in an art gallery. A young man on the left holds a beige tablet and looks at an older woman in the center, who wears glasses and is smiling. The woman on the right has her hair in a ponytail and wears a black tank top, listening to the conversation.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/5f6cf99d-3ad5-481c-896b-a15e127a02fa/50.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Woman with curly hair, glasses, pink headband, wearing a patterned red and purple sweater, smiling while speaking into a microphone in a small event space with a white wall and a black speaker on the floor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/4e8264c3-fa65-4a1c-a80d-07529c2f9e20/51.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A man with gray hair in a black T-shirt and jeans holding a microphone, standing on a wooden floor in front of a white wall with a projected screen, delivering a presentation to an audience.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/baa257f7-75af-4f99-87d6-232c7f889535/52.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman with blonde hair, glasses, wearing a dark blazer, stands at a microphone in front of a white wall, giving a presentation. The wall has projected text and images, and a speaker is on the floor next to her.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/cf38cd08-814d-4a28-9dd9-86e6f276f17c/53.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman standing next to a microphone on a stage, with a white wall behind her displaying a projected image and text. She is wearing a black top and pants, with her hands behind her back, in front of an audience.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/b5091995-7609-4000-b4db-c1c5d8529a39/54.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman standing on a stage speaking into a microphone. There is a digital keyboard and a small speaker on the stage, with a projection on the wall behind her. The projection displays images and text about Aviva Rahmani's 'Blued Trees in NYC,' and 'The Sea Has The Last Word.' Audience members are visible in the foreground.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/90ac4e50-2699-4ba4-a976-b8b48e6bc872/55.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A man in a black shirt and black pants speaking into a microphone in a room with a white wall and wooden floor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/3f931601-cb9f-4655-a227-ee8d490767aa/56.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman in a black blazer is speaking to an audience during an art gallery event. The audience sits on white chairs, attentively listening. The gallery walls display colorful abstract paintings.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/8dbb93d3-739d-4335-805b-8712fd200e2a/57.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman with red hair, glasses, and a black top speaking into a microphone at an indoor event, holding a patterned bag and a jacket. There is a microphone stand next to her and a shadow cast on the wall behind her.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/3c3aa251-8922-4ff6-8c86-205185bba1ce/58.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Two women in black dresses standing on a wooden floor speaking into microphones in front of a white wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/440e3c41-b372-4bb1-a8b6-66f5bfd194d3/59.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman with light brown hair is taking a photo of two women speaking on stage using her smartphone. The background shows a blurred wall with a grid of colorful items.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/3e964782-d003-4526-95e8-50a28fed1dba/60.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Two women with glasses and long hair are having a conversation in front of a wall displaying various photographs and paintings of trees and nature scenes. One woman is wearing a dark blazer with gold buttons and has a QR code hanging from her neck, while the other woman is wearing a plaid shirt and carrying a backpack.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/b646b3b3-a4db-437c-9913-eff36a732e7b/61.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Two older women hugging and smiling at each other indoors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/6b9aaab2-2802-482d-8195-f3c56e836131/62.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Two elderly women with gray hair engaged in conversation, one with curly hair and the other with curly gray hair, both wearing black tops.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/9c0cc16b-e778-4ef1-98fb-1ac42cce740a/63.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Group of people in an art gallery or museum, engaging in conversations and looking at artwork on the walls, with some seated and others standing, and colorful paintings in the background.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/2da84c73-b0b5-45ae-b286-14fd4a32a2b9/64.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Group of people engaged in conversation at an art gallery, with colorful artwork displayed on the wall in the background.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/942374b8-fe76-4063-9dcf-8bf14fbaa9da/65.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>An elderly woman with curly gray hair and a black dress is talking to a young man with short brown hair and a black T-shirt, who is holding a clear glass with a green beverage. They are indoors in a well-lit room with a plain white background and some equipment in the distance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/d5db3517-98fd-42d8-9f70-bb0eb6a420b8/66.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A young man and an elderly woman engaging in conversation at a social gathering. The young man is holding a clear plastic cup, and both are smiling. The background is blurred with a white wall and some equipment visible.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/3873c3df-cf93-432f-942c-012eccf540fe/67.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>An elderly woman with gray, curly hair and turquoise earrings engaging in conversation with a young man with brown hair, both wearing black shirts, in a well-lit room with a white ceiling and background equipment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/a95b29e0-40e7-40ce-a2e2-8d3841e9b018/68.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Two women smiling and holding hands at an indoor event, with people in the background.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/5cbe488b-98af-4310-bed6-45d8a17e1df2/69.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A man with curly dark hair and a beard, wearing a plaid shirt, is talking to two women with red hair in an indoor setting.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/26121102-a54e-4b88-a661-2f3e86a673ed/70.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A man with glasses and a woman with a ponytail look at artwork and photographs on a white gallery wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/8ab229b9-e014-4162-852c-9f37a8e064e6/71.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Two women standing together indoors, with a white wall in the background displaying text that reads, 'Aviva Rahmani's Blued Trees in NYC; The Sea Has The Last Word.' One woman has red hair and is wearing a black jacket with a colorful scarf, carrying a black purse. The other woman has gray hair and is dressed in a black long-sleeve top.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/4603f51f-0241-4544-82b3-6a34e69d24fe/72.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Two women standing close together in front of a white wall with text, one in a black dress and the other in dark clothing with a patterned scarf, with a keyboard on a stand and a wire on the floor nearby.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/14ffbeb1-6c83-4b57-a4ed-3d0778ce3ebc/73.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Three people are gathered together, looking at and discussing event tickets and a drink in a clear cup with a straw, inside an art gallery or museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/0ae61d11-679a-4291-bf3f-a97ef6d0c13d/74.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Four women engaged in conversation at a social gathering, with a woman with gray hair and a black top in the foreground and other women with long, brown hair and glasses in the background</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/18276365-fc50-4ec8-b722-a878ad312b62/75.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Two women converse at an art gallery, each holding a drink, with chairs and artwork in the background.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/f661dcd7-a3c2-4c72-a3ff-ae955c37ee88/76.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Two women at an art gallery, one smiling and gesturing, the other holding a drink and phone, with blurred people and colorful artwork in the background.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/9c128ce7-60ae-4415-905d-8fe55af4c0d1/77.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>A woman with long red hair and glasses is speaking to a group of four people, including a man with curly black hair in a plaid shirt, a woman with long blonde hair, and an older man with gray hair in a black jacket, in a room with a white background.</image:caption>
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      <image:title>Blued Trees</image:title>
      <image:caption>Four people talking in an art gallery with colorful landscape photos and blue abstract artwork on the wall.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1df51928-1b3b-4bd3-ad88-449568bbc99e/79.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>People socializing at an art gallery, holding drinks, with a colorful painting on the wall in the background.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/898f77d5-9f62-42f7-a559-951fd7937725/80.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Three people at an art gallery socializing, two men and a woman, all holding drinks, with artwork on the wall behind them.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/0a9c785c-61a3-40a5-8935-5f700278a17c/81.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Four women standing together, smiling, with their arms around each other, posing for a photo in front of a white wall with text. A keyboard is partially visible on the right side.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/0389d950-a762-4daa-8faa-666cf086cc91/82.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Five women and one man standing together in a room, smiling, with a presentation screen behind them.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/9a433e2f-6926-405d-9078-e733fad57620/83.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Group of five women standing together indoors, smiling at the camera, with a white wall behind them and a blue abstract line drawing at the top. Some text about an event or speaker is partially visible on the wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/3393a718-8748-4e1f-b0d7-f92fb562631c/84.jpeg</image:loc>
      <image:title>Blued Trees</image:title>
      <image:caption>Six women standing together in an art gallery, smiling for the photo. The background features an art installation of blue branches on a white wall, and a text panel discussing glacier melting and sea level rise in NYC as an environmental theme.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/92c2852e-43a3-4f0a-82b8-5e68dc82d59a/Blued-Trees-The-Wifes-Lament.jpg</image:loc>
      <image:title>Blued Trees - Make it stand out</image:title>
      <image:caption>‘The Wife’s Lament’ performed by Aviva Rahmani. October 30 2024, will be sung by soloist Alison Cheeseman, with an arrangement by Luka Marinkovich, and the dancer Rishauna Zumberg.</image:caption>
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  </url>
  <url>
    <loc>https://www.avivarahmani.com/ghost-nets</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/fa19fb2a-e137-4000-b393-165c9621ddf0/AR_Branches2.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Hunt for The Lost - blued branches on Governor's Island</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/d47a894a-6d7a-4154-a714-5b400c4e32cb/Michael+Markham.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Michael Markham Fire Bird Branding Iron, 18.5 inches in length Image, 4 inches (wing tips)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/aab87322-d41d-4d87-b770-b401f7b3ab46/IMG_2028.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Ayaka Fujii Receipt from Momo Sushi Shack, 2020 Bushwick, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/30d92387-6e47-414b-992b-d025077ad2d1/swamp_quarry_1930.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>'Ghost Nets' Swamp Quarry 1930 Date: 1930 Size: Variable Materials: Black &amp; White photograph Description: Early photograph of what was to became the Ghost Nets site. Photograph courtesy of the Vinalhaven Historical Society.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/b0cd68a4-262d-4d2c-b76a-5d26323efe1f/blue_sea_lavender+%281%29.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Blue Sea Lavender Date: 2009 Size: 20” x 20” Materials: Drypoint printDescription: Created for the Site Specific exhibition curated by Pat Nick, Vinalhaven Island Maine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1074cc8d-a24b-41f3-a986-71b54f242170/blue_rocks_detail_1.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Detail of Blue Rocks Date: 2002 Size: Variable Materials: Photographic detail of 40 painted boulders in a causeway Description: Granite boulders painted with a casein slurry of buttermilk and non-toxic ultramarine blue pigment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/885b5b06-119f-4626-8889-943ea5671d0b/AR_Signage61.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Three blue signs on a grassy area with brick building and people in the background. The signs read, "Lost Future," "Lost Memory of Love," and "Lost Courage," and mention HuntForTheLost.org, advocating for the inclusion of marginalized groups in history.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/a641a192-c995-4154-b054-910b1a2a4991/Beautiful+View.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Aviva Rahmani A Beautiful View #7, 2010 Aquatint Print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/d0e78be7-24c8-44c1-aa6c-e631fdb6a51f/MichaelMarkham_Maze_72ppi.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Michael Markham Maze, 1996 acrylic on plywood 4x4 ft.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/78d42bb4-892e-48e5-a384-98684ed7e1b5/bed_of_nets_1992.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>'Ghost Nets' Bed of Nets Date: 1992 Size: 4' x 4' x 6'7" Materials: Installation of drift nets on a painted iron bed. Description: This installation of recovered drift nets from the former town dump, was part of my meditative practice during the completion of the Ghost Nets project. The bed represents what we collectively “get in bed with” that has resulted in environmental degradation. Photograph by Aviva Rahmani.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/77a5b3b0-7ff7-413f-86a3-4dec44ce967b/blue_sea_lavender_on_echoes_of_the_islands+%281%29.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Blue Sea Lavender detail on Echoes of the Islands Date: 2009 Size: 8’ x 5’ x 3’ Materials: Granite rock and casein paint slurry of ultramarine pigment and buttermilk powder, on two sculptures previously created by Aviva Rahmani. Description: One of five temporary installations on the topic of species loss for the Site Specific exhibition. Located at the Vinalhaven Ferry Terminal, Vinalhaven Maine. Photograph by Aviva Rahmani.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/347364f0-c322-48ac-a0ce-16346a0e1158/blue_rocks_detail_2.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Blue Rocks Materials Date: 2002 Size: Variable Materials: Granite boulders painted with a casein slurry of buttermilk and non-toxic ultramarine blue pigment. Description: Materials for painting granite boulders.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/909afdc6-a16e-4460-9ba0-159250c8c628/AR_Signage51.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Blue sign with white text titled 'Lost Heart' on grass, with additional text about finding a lost heart and a website link HuntForTheLost.org.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/ab9b0386-6b1a-49a8-864a-df100c002fca/Chick.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Nora Nostrand Lost Birds, 2016 Harlem, NYC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/bf6d1eca-1b66-4532-a36d-7ff525087f52/Judith%2BMayer_LostHeart.png</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Judith Mayer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1e26ebaa-a7c0-4021-b20e-06f94d255ac4/traffic_dance_1997.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>'Ghost Nets' Traffic Dance Date: 2013 Size: Variable Materials: Photograph Description: Aerial detail of bioengineering and excavation for 1/3 wetlands acres portion of Ghost Nets which restored a total of 2.5 acres in a Class A Migratory sea bird intercontinental corridor in the Gulf of Maine site. Photograph by Ben Magro.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/2a94a8cc-a058-4247-9476-4b4df67790fc/blue_sea_lavender_at_lanes_island+%281%29.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Blue Sea Lavender detail at Lane's Island Date: 2009 Size: 70' x 45' Materials: Branches, rocks and casein paint slurry of ultramarine pigment and buttermilk powder. Description: One of five fragile temporary installations on the topic of species loss for the Site Specific exhibition. Located at Lane’s Island Preserve Parking Lot, Vinalhaven Maine. Photograph by Aviva Rahmani.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/33fae47e-2cea-4383-92e6-b7d382d01211/gis_for_blue_rocks.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>GIS for Blue Rocks Date: 2002 Size: 17" x 23" Materials:Photoshop on colored pencil drawing layers, based on GIS mapping Description: Imaging where biogeographic data overlaps for a critical location of the Gulf of Maine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/ad4fc31b-e2b9-41f6-9036-28c9434fba63/lost+species.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>A yellow house with a porch and a sign that reads "LOST SPECIES" and a URL for HuntForTheLost.org in front of it.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/55e7a61f-29c6-420f-9216-c11b772935b5/FrederickaFoster_Lost%2BForest.%2Bcopy.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Fredericka Foster</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/98055788-ce6f-433a-8f35-0c3c99338507/storm_surge_line_1997.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>'Ghost Nets' Storm Surge Line Date: 1997 Size: Variable Materials: Digital photograph Description: Fresh water meeting saltwater across the storm surge line of the Ghost Nets site for the first time in one hundred years at the Ghost Nets site. Photograph by Aviva Rahmani.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/7acfd44e-a899-49d3-b1da-ea5cf22b7e87/blue_sea_lavender_at_vhlt+%281%29.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Blue Sea Lavender detail at VHLT Date: 2009 Size: 85' x 40' Materials: Casein paint slurry of ultramarine pigment and buttermilk powder in sand. Description: One of five fragile temporary installations on the topic of species loss for the Site Specific exhibition. Located at Vinalhaven Land Trust parking lot, Vinalhaven Maine. Photograph by Aviva Rahmani.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/a4c230e0-99fb-4cf7-8749-8354772c7936/pleasant_river_august_2012.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Blue Rocks Pleasant River August 2012 Date: 2012 Size: Variable Materials: Photograph Description: Pleasant River, site of Blued Rocks project 10 years after restoration work. Photo by Aviva Rahmani.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1411b9f8-d30f-448d-a294-feb7072dedc3/AR_Branches%2B3.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Blue-painted fallen tree branches on green grass with small dandelions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/12f6eedb-309b-474b-9fce-f3b26f65679e/AnthonyRamos_LostForest.gif</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Anthony Ramos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/036471bf-71d4-4cf5-a400-730914260e4f/before_and_after_1997_and_2007.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>'Ghost Nets' Before and After 1.997 and 2007 Date: 1997 and 2007 Size: Variable Materials: Photomontage Description: Aerial shots of the Ghost Nets site showing changes to the uplands riparian zone and estuary over a 10 year time span. Photographs by Ben Magro.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/740f1069-fb8f-4811-a9fb-6b888c5273bf/AR_Branches1+%281%29.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Blue painted tree branches on grassy ground with people sitting on benches and walking in the background near a stone wall and a church.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/31755946-8c38-48f5-a307-afb4ab942aa6/forest_Hunt.jpeg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Aviva Rahmani</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/e4ee5969-9c67-4130-8221-d7cb09c03469/west_quadrant_2012.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>A narrow dirt trail running through dense green vegetation with grasses, shrubs, and trees on either side.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/98e9eef0-db73-457b-9acc-8d2fd8c47044/AR_Signage6.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Political signs on grass with slogans 'Lost Freedom,' 'Lost Future,' 'Lost Memory of Love,' 'Lost Courage,' and 'Lost Opportunities' in front of a brick building and people walking on the sidewalk.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/590ea1d9-cf7e-47a1-835b-330d32e9735b/AR_Signage5.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Three signs on grass with a house and trees in the background. The signs promote kindness, a lost heart, and morals with web links and prompts for a challenge or campaign.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/b710e850-39cd-40c8-b603-6c8cb3838451/AR_Signage4.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Outdoor scene with multiple blue protest signs on grass, some with red sections, and a large white sign with text in the background. Trees, a hedge, and a building are visible in the background.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/d21c6cc6-36d4-4bf2-9d40-be70d2e070d1/AR_Signage2.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>Signs reading 'Lost Birds' and 'Lost Species' placed in a park with trees, grass, and a brick pathway.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/c005bc65-0208-46c2-9495-adfd461e94a9/AR_Signage1.jpg</image:loc>
      <image:title>Ghost Nets</image:title>
      <image:caption>A group of people sitting and standing on a lawn in front of a yellow house with white porch and columns. There are several children wearing masks, and a dog in the group's vicinity. A blue sign in the foreground reads "Lost Species" and promotes HuntForTheLost.org.</image:caption>
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      <image:title>Ghost Nets</image:title>
      <image:caption>A grassy field with scattered thin, dark, and charred tree branches lying on the ground.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/eb6b9c0b-5b55-44e9-b3b7-9e23d7b91faf/Divining%2BChaos%2BCOVER%2B%281%29.jpg</image:loc>
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      <image:title>Ghost Nets</image:title>
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  <url>
    <loc>https://www.avivarahmani.com/cities-and-oceans-of-if</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1608241058251-K2HKZD9FVIVJE3GQC0H0/trigger_points_tipping_points_grid.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>Trigger Points Tipping Points Grid Date: 2007 Size: 47" x 52" Materials: Grid of digitized prints on archival paper Description: Installallation of screen capture stills generated live during desktop sharing sessions with Dr. Jim White, for the Weather Report Show curated by Lucy Lippard for the Boulder Museum of Contemporary Art, Boulder, Colorado.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1608241744374-R7UZ75VROYEQVFL5W879/red_sky.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>Red Sky Date: 2009 Size: Variable Materials: Digital photograph with Photoshop Description: Image captured from moving train in the Louisiana Bayous during hurricane season 2009, and later photoshopped.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/17751a40-0710-470f-b14f-03f50792fd40/pervious_porous_integrated.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>Pervious, Porous, Integrated Date: 2006 Size: 15’ x 12' x 8' Materials: Cross-media installation: live plants, watering can, painted wall mural and photography Description: Installation at the Exit Art gallery, for The Drop exhibition (2006), a large, labor intensive wall mural about redesigning Manhattan with endemic plants to prepare for flooding caused by sea level rise and climate change. The relationships between Arctic melting, rising water and built infrastructure due to global warming was painted in a short time to reflect how quickly global warming can undo eons of evolution. In the center, a gold circle proposed a redesign of the Manhattan building that was the site of the exhibition.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/b8ca3647-e9f3-45f8-aa6b-b766a3bd9932/opening_the_artic.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>Opening the Arctic, Fish Story Date: 2012 Size: Variable Materials: Digital still generated with pen tablet and Photoshop Description: Mapping generated live during Gulf to Gulf webcast desktop sharing conversation on global warming, in preparation for Fish Story. The mapping was created to understand how opening the Arctic will affect dynamic relationships in the Northern hemisphere and fish in Memphis, TN.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/8fce96aa-18a0-428e-8c69-fa7d8b594f62/oil_and_water_8.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>Oil &amp; Water #8 detail of Oil &amp; Water book, page #8 Date: 2011 Size: 11" x 11" Materials: Mixed media on Japanese Digital Niyodo Kozo paper. Description: The Oil &amp; Water series was created for "One of a Kind," an exhibition of unique artist's books at Pierre Menard Gallery, Cambridge MA in 2011, "Unbound - An Exhibition in 3 Chapters" at the Dalhousie Art Gallery, Halifax, Nova Scotia in 2012, "One of a Kind III" at the Owens Art Gallery, Mount Allison University, New Brunswick, Canada, in 2013 and in "One of a Kind IV" and at the AC Institute, NYC, NY, also 2013, all curated by Heide Hatry.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1608241097917-1SYJZ7QRGRXLR4JCOA1T/mississippi_2040.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>Mississippi 2040 detail of Trigger Points/ Tipping Points installation Date: 2007 Size: 13" x 19" Materials: digitized print on archival paper Description: Still created in collaboration with Dr. Jim White, for the 2007 Weather Report show, curated by Lucy Lippard for the Boulder Museum of Contemporary Art, Boulder, Colorado.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1608241753210-HK21H9S81MP0NY9O77UT/persian_gulf.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>Persian Gulf Date: 2009 Size: Variable Materials: digital drawing with Photoshop Description: Screen capture of still generated live during Gulf to Gulf desktop sharing sessions with a team of scientists and others.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/98597b2b-5183-4ab6-b074-bb604c52403c/transformation_and_degradation.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>Transformation and Degradation Date: 2002 Size: 45' x 20' Materials: Installation including mural, sound, graphics and iron bed with fish nets. Description: For the Ecovention exhibition (2002) at the Contemporary Arts Center in Cincinnati (CAC). It culminated 12 years research on fisheries and landscape degradation from the Gulf of Maine to the Mississippi River, as part of the Ghost Nets project 1990-2000 and Cities and Oceans of If. Wall mural map in installation envisioned how fresh waterways and fisheries concerns connect the Midwest to the North Atlantic ocean.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/52b4ffd6-af13-453f-8278-6c60cdce775a/river_painting_in_installation.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>X Fish Story River Painting in Installation Detail Date: 2013 Size: Installation 11' x 144' (132" x 1728") Materials: Acrylic paint on black paper with cut out handmade paper silhouettes of individual fish, photographs and mapping from previous workshop Description: Detail of Fish Story installation for Memphis Social at the Hyde Gallery, Memphis College of Art, Memphis, TN.</image:caption>
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      <image:title>Cities and Oceans of If</image:title>
      <image:caption>Oil &amp; Water #6 detail of Oil &amp; Water book, page #6 Date: 2011 Size: 11" x 11" Materials: Mixed media on Japanese Digital Niyodo Kozo paper. Description: The Oil &amp; Water series was created for "One of a Kind," an exhibition of unique artist's books at Pierre Menard Gallery, Cambridge MA in 2011, "Unbound - An Exhibition in 3 Chapters" at the Dalhousie Art Gallery, Halifax, Nova Scotia in 2012, "One of a Kind III" at the Owens Art Gallery, Mount Allison University, New Brunswick, Canada, in 2013 and in "One of a Kind IV" and at the AC Institute, NYC, NY, also 2013, all curated by Heide Hatry.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1608241104071-IK2XWGXWXIE3PEV43TII/new_orleans_in_gulf_of_mexico.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>New Orleans in Gulf of Mexico detail of Trigger Points/ Tipping Points Installation Date: 2007 Size: 13" x 19" Materials: digitized print on archival paper Description: Still created in collaboration with Dr. Jim White, for the 2007 Weather Report show, curated by Lucy Lippard for the Boulder Museum of Contemporary Art, Boulder, Colorado.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1608241762753-7W8Z820YBP5L9FQEACPL/do_something.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>Do Something Date: 2009 Size: Variable Materials: digital drawing with Photoshop Description: Screen capture of still generated live during Gulf to Gulf desktop sharing sessions with a team of scientists and others.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/bfb62ce9-962e-4c8a-81f7-eb651c9701a8/if_detail.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>'If' Detail Date: 2002 Size: 120" x 456" Materials: Installation mural with GIS graphics. Description: installation detail at the Center for Maine Contemporary Art, Rockport, Maine, GIS graphics created with Dr. Irwin Novak then mounted onto a box construction. The GIS indicated how open urban space might be connected for ecosystem contiguity in coastal fish habitat.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/952e5832-47b0-4bb8-aec5-e49e86ca2598/tributaries_4+%281%29.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>Fish Story Tributaries #4 Date: 2013 Size: 16" x 20" Materials: Encaustic on paper Description: Artifact from research for Fish Story on lowlands flooding in the outskirts of Memphis, TN.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/dc739f64-c3b9-4f98-abaf-f91f2412ac94/oil_and_water_11.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>Oil &amp; Water #11 detail of Oil &amp; Water book, page #11 Date: 2011 Size: 11” x 11” Materials: Mixed media on Japanese Digital Niyodo Kozo paper. Description: The Oil &amp; Water series was created for "One of a Kind," an exhibition of unique artist's books at Pierre Menard Gallery, Cambridge MA in 2011, "Unbound - An Exhibition in 3 Chapters" at the Dalhousie Art Gallery, Halifax, Nova Scotia in 2012, "One of a Kind III" at the Owens Art Gallery, Mount Allison University, New Brunswick, Canada, in 2013 and in "One of a Kind IV" and at the AC Institute, NYC, NY, also 2013, all curated by Heide Hatry.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1608241114214-O5AT7IB9AHLYNZCG09UT/bangladesh_ganges_erased.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>Bangladesh Ganges Erased detail of Trigger Points/ Tipping Points Installation Date: 2007 Size: 13" x 19" Materials: digitized print on archival paper Description: Still created in collaboration with Dr. Jim White, for the 2007 Weather Report show, curated by Lucy Lippard for the Boulder Museum of Contemporary Art, Boulder, Colorado.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1608241781966-LUNOJEPSZEH6LWIS8KRQ/options_choice_data.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>Options Data Choice Date: 2009 Size: Variable Materials: digital drawing with Photoshop Description: Screen capture of still generated live during Gulf to Gulf desktop sharing sessions with a team of scientists and others.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/ad29d914-be85-4319-b608-99a731db2384/listen.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>'Listen' Detail Date: 2002 Size: Variable Materials: Photograph Description: detail image from series of graphic installations (Stay Wait Look Listen) designed for Arts in Transit St. Louis, with a landscape restoration proposed for the USML South Station in St. Louis Missouri.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/af106ca8-d456-42d0-9f34-5eb6ae7740d9/canoeing_the_wolf_river+%281%29.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>Fish Story Canoeing the Wolf River Date: 2013 Size: Variable Materials: Digital photograph Description: Photograph taken from canoe by Dr. Eugene Turner in collaboration with Aviva Rahmani as they traversed the Wolf River towards the Mississippi River as research for a local trigger point. Rahmani directed then edited the shots. The canoe trip was the first of four Fish Story events for Memphis Social, curated by Tom McGlynn.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/05846eac-a63f-4a49-94a5-947d90140c57/oil_and_water_12.jpg</image:loc>
      <image:title>Cities and Oceans of If</image:title>
      <image:caption>Options Data Choice Date: 2009 Size: 11” x 11” Materials: Mixed media on Japanese Digital Niyodo Kozo paper. Description: The Oil &amp; Water series was created for "One of a Kind," an exhibition of unique artist's books at Pierre Menard Gallery, Cambridge MA in 2011, "Unbound - An Exhibition in 3 Chapters" at the Dalhousie Art Gallery, Halifax, Nova Scotia in 2012, "One of a Kind III" at the Owens Art Gallery, Mount Allison University, New Brunswick, Canada, in 2013 and in "One of a Kind IV" and at the AC Institute, NYC, NY, also 2013, all curated by Heide Hatry.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/c297559e-d4cf-460a-a77a-3bf9d6bba87c/SANZlogolarge+%281%29.jpg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1629940137668-PSTSU4SKIN9ICWLXOHJJ/climate+change+gallery+screenshot.jpg</image:loc>
      <image:title>Cities and Oceans of If - Make it stand out</image:title>
      <image:caption>Click the image to explore the virtual gallery showing ecoart images by Aviva Rahmani.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2024-12-24</lastmod>
    <image:image>
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  </url>
  <url>
    <loc>https://www.avivarahmani.com/gulf-to-gulf</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/3e8df645-7b3f-406b-a749-58f246c0d4d4/aviva_rahmani_portrait.jpg</image:loc>
      <image:title>Gulf to Gulf</image:title>
      <image:caption>Aviva Rahmani Ecological Artist Affiliate at INSTAAR, UCB, and researcher with University of Plymouth, UK, Rahmani’s Ghost Nets (www.ghostnets.com), and Blue Rocks (2002) restored over 26 acres of wetlands in the Gulf of Maine. Her transdisciplinary artworks, are shown and published internationally.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/3a05f631-a196-4793-a31e-912642cf8153/eugene+turner.jpg</image:loc>
      <image:title>Gulf to Gulf</image:title>
      <image:caption>R. Eugene Turner Coastal &amp; Environment Scientist R. Eugene Turner is a Chaired Professor, Distinguished Research Master and Distinguished Faculty at Louisiana State University. He is sometimes an oceanographer with feet in the watershed, and at other times a wetland ecologist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/c475f445-f7fe-4839-8f62-c7ba5a78af4e/james+white.jpg</image:loc>
      <image:title>Gulf to Gulf</image:title>
      <image:caption>James White Paleo-Climatologist Jim White is a paleoecologist and Professor at the University of Colorado (CU). He is the Director of the Institute of Arctic and Alpine Research, and is the founding Director of Environmental Studies Program at CU. His research interests revolve around human impacts on the environment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/83eb5707-07d7-4969-a476-7d74c3aa3efb/james+bradley.jpg</image:loc>
      <image:title>Gulf to Gulf</image:title>
      <image:caption>James Bradley Technologist James Bradley is a consultant, educator, user experience designer and software developer. He founded and directs the technology services nonprofit, WebServes. He teaches UX design, digital media and web-related courses at NYU SCPS and Hunter College (CUNY).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/new-page</loc>
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    <lastmod>2026-01-16</lastmod>
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  <url>
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    <lastmod>2026-01-16</lastmod>
  </url>
  <url>
    <loc>https://www.avivarahmani.com/feminist-art-1</loc>
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    <lastmod>2025-11-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc05be8c89e1c4b8fbb930a/1607906396883-U9U6YCB1CNBP1ZI3U6C3/Feminist+Art+-+Ablutions+1972.jpg</image:loc>
      <image:title>Feminist Art (Copy) - ‘Ablutions’: Still from performance, Los Angeles, California, 1972</image:title>
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