Pushing Rocks
On Time, Timing and Deadlines
We are well into Glasgow’s COP26 https://ukcop26.org/and governmental officials are making promises about what measures will materialize by 2030. Neither Russia nor China deigned to attend. Deforestation, a major source of climate change was discussed. Previous commitments about deforestation were mouthed and ignored in previous COPs.
So how should the ordinary concerned citizen regard this disregard?
On Writing
I am not a writer. I write, read and admire people who are real writers, such as all the writers in the recent New York Times celebration of 125 years of the Book Review https://www.nytimes.com/series/book-review-anniversary. I mostly read either science or science fiction and have no patience for bad writing in the former. I define bad writing as shallow characters, lack of narrative tension, too much sex & violence, absence of any compelling question, like, what if dogs ruled the planet and humans chased balls? But in the process of writing two books recently, one of my own and another a co-edited anthology, I have learned a lot about writing.
Going to Glasgow
I think this is our last year to have a hope of surviving climate change, and even many, many of us are already casualties, as are so many other species.
Everyone I know has the COP26 Glasgow on their minds, even though the consensus is that fossil fuel corporations have a stranglehold on governmental outcomes which could reverse or even halt the worst of the ecological damage and therefore little will come of the meeting.
Indigenous Peoples Day and the Italian Medici Family
The night before Indigenous Peoples Day, I reflected on what was evoked for me. Indigenous People’s Day, formally recognized by President Biden also happened to be the last day of the Medici Portraits and Politics 1312-1570 at the Metropolitan Museum of Art, so I went and continued my reflections.
Nibbling On Hope at the Edge
My story in the work memoir, “Divining Chaos,” ends just before the 2020 election and won’t launch until June 2022. I am now making final copy edits. That means I can’t add anything substantive but I can review what the publisher’s editor suggests and consider a word change here or there. So in my epilogue, I can’t write about the Biden presidency, the insurrection, or global wildfires. I have to raise any issues I've considered since November 2020,…
Guest Blog by Deanna Pindell: Ecoart Strategies for Engaging with the More-than-Human Lifeworld
Not even four centuries of the Cartesian split have passed, and look where we are: Westerners seem to have forgotten how to exist. I don’t mean that hyperbolically; we’ve created our very own existential crisis. We refer to that crisis as Progress. Quantum physicist and queer feminism scholar Karen Barad…
On Joy at the Edges
Despair is a difficult position. Besides an untenable accommodation to misery, it requires considering what we hope for: an end to: war? Saving beautiful species? Saving ourselves? A next date or a meal? How much can we grieve the mistakes of the Industrial revolution paradigm or the ubiquitous patriarchal system or routine, casual cruelties?
Hope Despite Darkness
Hope is like the dawn. Both return despite the darkest night. The work of completing the “Ecoart in Action” book is wrapping up and now we are expanding the outreach of the ideas behind the book. The imminent publication and the process of outreach represents hope for the future at this very dark time for our planet. We are now fundraising to effect our outreach goals.
On Why the Femicidal Stranglehold in Texas is Essential to the Fossil Fuel Economy
September 8, 2021 is Rosh Hashanah, a time of renewal after atonement which begins a new year. It comes this year after Labor Day, intended to let those who work, rest. I have written this before all three: atonement, rest and renewal.
The Mnemonics of Afghanistan and Titian
It seems paradoxical, but I often use conventional landscape studies as a means to think out complex adaptive systems, relationships between disparate agents that culminate in foreseeable patterns, and my next steps as a new media/ interdisciplinary artist. It is all about how mnemonics manifest as the embodiment of insight.